Isaacs : Jimmy was excited about their potential. He told us directly to always land on Sam and Diane at the end of an episode, regardless of the actual story. Glen Charles: The relationship was the spine that held everything together. The writers had no plan for Sam and Diane other than the inevitability of their getting together, which occurred at the end of season one.
Levine: The timing just felt organically right. It becomes silly. Glen Charles: We wanted to end the season with them kissing, figuratively or actually. Cheri Steinkellner : Once they consummated the relationship that was only the beginning of their problems. They were still who they were. You have to put pressure on the relationship to get comedy. After breaking up with Sam at the end of season two, Diane had a mental breakdown. That led to the love triangle with a quirky psychiatrist who would go on to become a star on two series: Frasier Crane Kelsey Grammer.
Glen Charles: Frasier represented everything Diane always said she wanted: brilliant, erudite, cosmopolitan. Long: Kelsey could do anything. He found new things about that character to play in every episode. A brilliant performer building a character as much as any writer. Les Charles: Frasier was the most hated character on TV. No one wanted to see someone come between Sam and Diane.
After that season, he took a cross-country car trip by himself. He stopped in a bar filled with rough characters to get a beer. A big guy comes up behind him with long stringy hair and sleeves cut off, showing his tattoos.
Cheri Steinkellner : Bebe started as a day-player, one scene, a terrible date, to set up Frasier meeting his dream date, Candi , played by Jennifer Tilly. That was the romantic arc we planned. But Lilith was the romance we pursued. So much fun. The same antagonism that characterized Sam and Diane showed up — only instead of equal and opposite, they were more like equal and identical. We said we have to get this character back because she and Frasier were hysterical together. Les Charles: Our theory was if you get the right story and structure, the jokes will come.
Isaacs : It was finding situations that would give characters a chance to emerge more, like in an early episode when an obnoxious Yankee fan comes into the bar and Carla attacks him. Cheri Steinkellner : In the most hellish of hell weeks, first we threw out the baby, then the bathwater, then conceived a new baby, drew more bathwater.
Threw them all out. On our fourth all-night rewrite, at around 3 a. That act of desperation won us our first Emmy. Levine: If you think of those times you laughed the hardest on Cheers , I guarantee some of those jokes came from Jerry Belson and Bob Ellison. Bob was a comic genius. Imagine what kind of contortions you have to go through to get to that? But we did. People ask where we come up with stories. The answer is life.
We liked to think of ourselves as comedy Eskimos. We used all the whale. No holds barred. It revved us up. You have a blind set-up and write a good Norm response to that. That was always a challenge. Casey: They became more difficult because the bar kept getting set higher and higher. They discovered as they were writing that Norm had to leave and come back four or five times. You missed it. Les Charles: We had mixed emotions about it. We were ready for the challenge of writing for someone new.
Levine: I think it was the right choice. Long: Glen and Les wrote that last episode. This is supposed to be a love-hate relationship.
No, these two people would be locked in mutual antagonism for their whole lives. The introduction of Rebecca Howe Kirstie Alley added a very different dynamic to the show. Sam used to have status over Diane, but Rebecca, in becoming manager of the bar, held it over him. Glen Charles: We did a lot of casting for Rebecca but nobody seemed right. The latest thing she had done was Cat on a Hot Tin Roof , and as funny as that is …. Cheri Steinkellner : It took a while for us to figure out where the fun was with her.
In her early episodes, you can see we contrived all kinds of ways to send her into the office or out on an errand, just so we could return to the cast — and comedy we knew. It was always going to be a discovery process, but none of us knew if we were ever going to find it.
Les Charles: There was a scene early on where someone says she got a call from Evan and she goes to the office door in a hurry to answer. It was the first time we saw comedy potential. And she was really funny crying. Isaacs : She could cry on a dime. In the middle of a scene fall into crying. Cheri Steinkellner : She started crying like nobody since Lucy Ricardo. That was the day we got our handle on Rebecca. We figured out she was not just another loser, she was the biggest, saddest loser in the bar.
Levine: When Nick died, they wanted the new character to be similar because of the role Coach played. When you explained things to Coach, you were really explaining it to the audience.
Les Charles: The network wanted someone younger. Part one of the 1 hour "th Episode Celebration" episode, edited into two parts for syndication, is the only syndicated episode that features the complete opening sequence used throughout the series. The first scene of the teaser of the series' first episode, where Sam walks from the Pool Room into the Bar area of Cheers', was edited completely out of the syndicated broadcast. Connections Edited into Cheers: th Episode Special User reviews Review.
Top review. After all these years, still the best. The characters interact with such chemistry, that all you have to do is tune and it's like sitting at a bar listening to you're best friends tell tall tales. The characters, especially Sam Malone and Coach, are so well-rounded that the joy comes simply from watching them interact. As far as I can remember almost every episode of Cheers ended with someone smiling or laughing, and it's that sense of warmth that is so rare in television, that it makes Cheers stand tall amongst any competitor, then OR now.
I feel wholly justified in calling Cheers the best program ever made. It's just that good. PS-I hope in Heaven I can sit at Cheers, and watch Sam hit on girls, listen to Carl tell useles trivia, and see Norm catch curving beer bottles around the corner of the bar.
MIke Renzella. FAQ 3. Why did Shelley Long leave the show after its fifth season? Where do the photos in the opening credits come from? Aside from the title character do any later Frasier characters appear on Cheers? Details Edit. Release date September 30, United States. United States. Prost Helmut! Technical specs Edit. Runtime 22 minutes. Mono Stereo. Related news. Contribute to this page Suggest an edit or add missing content. Top Gap. The courtship of Sam Malone and Diane Chambers crackled with an electric — and often hilarious — sense of combativeness.
He was the womanising jock who owned a bar Ted Danson ; she was the intellectual waitress with delusions of grandeur Shelley Long. I hate you! But Cheers was too smart, too ahead of its time, to play such dysfunction entirely for laughs. The jokes stop.
The studio audience falls silent.
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