Who is rusko

Steve Docherty Tennis Player. Mick Woodmansey English drummer. Hannah Weiland Fashion Designer. Steven Mead Musician. Tim Foster Rower.

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Discord staff Approved bots. YouTube Wikis. Explore Wikis Community Central. Register Don't have an account? History Talk 0. Do you like this video? What is the first album or a piece of music that made a big impression on you?

Dangerous , the Michael Jackson album. I remember begging for that cassette and taking it everywhere with me. I wore that one out. I went to my first rave, I was probably 17 and it was kind of scary. It was the first time I really heard drum'n'bass on proper speakers. I'd heard it in people's cars who have the subs, but until you stood in front of a big fat wall of speakers, it's hard to understand.

A lot of people didn't get dubstep until they felt it - and drum'n'bass was my first love, electronic music-wine, and it still is. It still holds the top spot. There is some drum'n'bass on this E. Throughout my whole dubstep career, I've always had a drum'n'bass section in my set, like 10 minutes in the end, or almost half my set, which it is at the moment, which I love. Every two or three years, I think it's gonna blow; finally the American EDM kids are going to get it, then it filters out.

A lot of the cool guys right now are playing one or two drum'n'bass songs in their sets and making a couple of tracks, but it's only ever a couple. I'm going out on a limb. It's been going down better than it ever has. Noticeably, it's going well.

That was why I wanted to make one of the tracks on the EP a d'n'b tune. I'm not going to do a whole release yet, just edging it in, making it more of a thing. If I can, there will be one track on every release from now, just so I can play more in my sets. My first forays into electronic beat making, I was recording TV theme tunes and remixing them.

I was like 12 when I first worked out how to do that kind of stuff. It was before you could go and find the mp3. I literally recorded it into the microphone jack in the back of my mom's P. Kind of weird, I suppose. Before that, I had a little four track recorder for my drums and guitar. I was always making little tracks like that, but my first beats were flippin The Simpsons. That basic. A lot of my old Rusko tracks, I don't have anymore. People often ask me if they can do a remix of "Hold On" or one of the classics.

I've missed out on so many amazing remixes because I don't have the parts or any of the files. I'm very much like that. Once it's done, that's it. I don't need to go back to it. Im a bridge burner. That's really embarrassing. The '90s Irish girl band. Last night, we were talking, me and my girl, remembering their songs. When we got home, I sneakily put the video on YouTube just to make her laugh. That was the last thing I listened to before I went to sleep. That's my really cool and hip answer.

Mainly instrument, really, really slow, and really stupid distorted and grungy, but kind of bluesy. A band I really love called Rezn, they are really amazing. The classic stoner metal band is a band called Sleep. It's psychedelic in a way as well. There's one that's really hard to pronounce, Belzebong.

All the names of the bands are a mixture of the devil and weed. If you put one group on Spotify, you'll get them all. Speaking of slow, grungy sounds; when, where and how were you introduced to dubstep? At the same event where I had my drum'n'bass epiphany back at I went there for years and years, my regular monthly go-to rave up in Leeds.

DMZ came and played in the back room, I think one of the first dubstep gigs out of London. That was just around the time that Skream put out "Midnight Request Line," which was his proper first single. It was barely six months after that night that I moved to London for the sound itself. It was such a London-focused thing. There was no artists making it and playing it not in London.

Really, I was lucky to catch a one-off show in Leeds. It was maybe three or four months after that I was sleeping on my friend's couch in West London trying to make it work. How crazy then was the explosion of dubstep from your perspective, in America and beyond?

I moved to London end of It was when I did a lot for my first release, a lot of shows around London and the UK. In , we did the Fabric CD with Casper. We did the Fabric Live CD, which was the first commercially-available dubstep release for a long time. It was certainly the only physical release of dubstep you could buy in the US for about a year and a half. That's a really cool thing, but it had this unexpected, amazing effect. Then is when I made the permanent move to the US, and that was just before the kick off here.

It seems quick, but really it was a four or five year process. It felt legendary as soon as it was announced. It's been a long time coming, put it that way. I was an idea for a few different events. For a long time, it was just, "no, I don't think I can do it. I don't really want to do it. All his house stuff, I'm a massive fan.

You can tell his heart is percent bpm now. I get it. He has both arms in that world and he's absolutely having the best time. But yeah, to finally get a yes was awesome.